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Victorian design is widely viewed as having indulged in a grand excess of ornament. The Victorian era is known for its interpretation and eclectic revival of historic styles mixed with the introduction of Asian and Middle Eastern influences in furniture, fittings, and interior decoration .
Unlike contemporary design, which evolves with current trends, transitional style maintains consistent principles focused on merging formal architectural elements with casual comfort. This synthesis has made it a significant influence in residential and commercial design since its development.
John Gregory Crace, Edward Crace's great-grandson, was the elder of two surviving sons of Frederick Crace (1779–1859), interior decorator to the then Prince Regent and a collector of maps and prints. [2] [3] His mother, Augusta Harrop Gregory, was the daughter of John Gregory, a London magistrate and treasurer of the Whig Club. [2]
The Eastlake movement was a nineteenth-century architectural and household design reform movement started by British architect and writer Charles Eastlake (1836–1906). The movement is generally considered part of the late Victorian period in terms of broad antique furniture designations.
It was also recognised internationally and is found in such journals as Japan Interior Design in 1962, Architectural Review, London in 1960 and 1963 and J M Richard's New Buildings in the Commonwealth, London 1961. [9] In July 2006, Boyd's Walsh Street House won the RAIA (Royal Australian Institute of Architects) 25 Year Award in Victoria.
The vast screens between the sides of rooms or walls themselves were filled with flourishes of this carven tracery, as seen in Crewe Hall. Even of the ceilings conformed to the carved style. There are few grander effects in interior decoration than the intersecting curves and angles of a lofty old Elizabethan ceiling.
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