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Hindi filmmakers combined the Hollywood musical formula with the conventions of ancient Indian theatre to create a new film genre called "Masala", which dominated Indian cinema throughout the late 20th century. [132] These "Masala" films portrayed action, comedy, drama, romance and melodrama all at once, with "filmi" song and dance routines ...
20th-century war films (16 C) 20th-century Western (genre) films (12 C) This page was last edited on 26 February 2021, at 00:05 (UTC). Text is available under the ...
Since the first narrative films in the mid-late 1890s, filmmakers have sought to capture the power of live theatre on the cinema screen. Most of these filmmakers started as directors on the late 19th-century stage, and likewise, most film actors had roots in vaudeville (e.g. The Marx Brothers [6]) or theatrical melodramas. Visually, early ...
Films set in 20th-century Russian Empire (3 C, 11 P) S. Films about Frank Sinatra (5 P) Films set in the Soviet Union (8 C, 216 P) Films about the Spanish Maquis (16 P)
This is a list of films produced by 20th Century Fox (now 20th Century Studios [1]) from 1935—following a merger between the Fox Film Corporation and Twentieth Century Pictures—to 1999. 1930s [ edit ]
[2] [3] In the early years of the 20th century, silent cinema developed, bringing numerous Italian stars to the forefront until the end of World War I. [32] In the early 1900s, artistic and epic films such as Otello (1906), The Last Days of Pompeii (1908), L'Inferno (1911), Quo Vadis (1913), and Cabiria (1914), were made as adaptations of books ...
The development of cinema is characterised by technological breakthroughs, from early experiments in the recording of day-to-day activity, experiments in colour, different formats and sound. From the 1970s, the development of computer-generated imagery became integral to the way that films are produced.
German Expressionism was an artistic movement in the early 20th century that emphasized the artist's inner emotions rather than attempting to replicate reality. [1] German Expressionist films rejected cinematic realism and used visual distortions and hyper-expressive performances to reflect inner conflicts.
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