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Moroccan rugs experienced a growth in popularity in the West with mid-century modern designers, such as Le Corbusier, who paired the thick piled Berber rugs with their sleekly designed furniture. Many of these Berber carpets are woven by the Beni Ourain peoples from the Rif Mountains near Taza.
The tribal style fused with the older Ushak/Smyra designs. The merger of the two styles created a new style simply known as late 19th/early 20th century Oushak carpets. The new decorative Oushak, commercially woven, employed a soft red, as its primary color offsetting the large-scale floral motifs from the field in a bright blue.
Mid-century modern (MCM) is a movement in interior design, product design, graphic design, architecture and urban development that was present in all the world, but more popular in North America, Brazil and Europe from roughly 1945 to 1970 during the United States's post-World War II period.
Mid-19th century Navajo rugs often used a three-ply yarn called Saxony, which refers to high-quality, naturally dyed, silky yarns. Red tones in Navajo rugs of this period come either from Saxony or from a raveled cloth known in Spanish as bayeta , which was a woolen manufactured in England .
The Dilmaghani family, the oldest existing manufacturers of hand knotted carpets and oriental rugs, can be traced back to the 1850s [1] Qajar dynasty, Persia.In an industry which largely produces untitled items often identifiable only by experts, [2] the history and lineage of any name relating to specific types of rugs for so many decades is unusual.
Phoenix and Dragon carpet, 164 x 91 cm, Anatolia, circa 1500, Pergamon Museum, Berlin Animal carpet, around 1500, found in Marby Church, Jämtland, Sweden.Wool, 160 cm x 112 cm, Swedish History Museum, Stockholm Animal carpet, Turkey, dated to the 11th–13th century, Museum of Islamic Art, Doha Anatolian Animal carpet, 1500 or earlier, wool, symmetric knots.
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