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Hugo & Luigi were also onetime co-owners of Roulette Records. Songs composed by the duo were often credited to "Mark Markwell", and records they produced carried their distinct logo. While at Roulette Hugo and Luigi did a series of Beautiful Music recordings of "Cascading Voices" and later "Cascading Strings."
Listen, listen, echoes sound afar! Listen, listen, echoes sound afar! Funiculì, funiculà, funiculì, funiculà! Echoes sound afar, funiculì, funiculà! Some sing the world is set for freedom dancing, But not so I! And not so I! Some sing our eyes could keep from finally glancing, Upon the sly! But not so I! But all we're so amazing and so ...
An unsung master of movie magic, Solon Luigi Colani has worked on some of the biggest Hollywood movies ever shot in Germany and beyond, among them works by Quentin Tarantino, Ron Howard, George ...
Foley can also include other sounds, such as doors closing and doorbells ringing; however, these tend to be done more efficiently using stock sound effects, arranged by sound editors. Foley effects help the viewer judge the size of a space. For example, a large hall has strong reverberation, while a small room may have only slight reverberation ...
The Wilhelm scream is an iconic stock sound effect that has been used in countless films, TV series, and other media, first originating from the 1951 film Distant Drums.The scream is usually used in many scenarios when someone is shot, falls from a great height, or is thrown from an explosion.
Futurist composers should use their creativity and innovation to "enlarge and enrich the field of sound" [6] by approaching the "noise-sound." Futurist musicians should strive to replicate the infinite timbres in noises. Futurist musicians should free themselves from the traditional and seek to explore the diverse rhythms of noise.
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