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The Rime of the Ancient Mariner at Wikisource. The Rime of the Ancient Mariner (originally The Rime of the Ancyent Marinere) is the longest major poem by English poet Samuel Taylor Coleridge, written in 1797–98 and published in 1798 in the first edition of Lyrical Ballads. Some modern editions use a revised version printed in 1817 that ...
Besides The Rime of the Ancient Mariner, Coleridge composed the symbolic poem Kubla Khan, written—Coleridge claimed—as a result of an opium dream, in "a kind of a reverie"; and the first part of the narrative poem Christabel.
This article lists the complete poetic bibliography of Samuel Taylor Coleridge (1772-1834), which includes fragments not published within his lifetime, epigrams, and titles such as The Rime of the Ancient Mariner and Kubla Khan. [1]
Some of Coleridge's contemporaries denounced the poem and questioned his story of its origin. It was not until years later that critics began to openly admire the poem. Most modern critics now view Kubla Khan as one of Coleridge's three great poems, along with The Rime of the Ancient Mariner and Christabel.
Albatross (metaphor) The albatross visits the Mariner and his crew in Samuel Taylor Coleridge 's The Rime of the Ancient Mariner, illustrated in 1876 by Gustave Doré. The word albatross is sometimes used metaphorically to mean a psychological burden (most often associated with guilt or shame) that feels like a curse.
During this time, he had been working on several poems for Lyrical Ballads, a book on which he collaborated with William Wordsworth. Christabel was not complete in time for the book's 1798 publication, though it did include The Rime of the Ancient Mariner. [ 2 ] The first part of the poem was likely completed that year, however. [ 1 ]
The gothic elements of the poem connect it to many of his other works, including Ancient Mariner, "Ballad of the Dark Ladie", Fears in Solitude, France: An Ode, Frost at Midnight, "Three Graves", and "Wanderings of Cain". [12]
Frost at Midnight is a poem by Samuel Taylor Coleridge, written in February 1798. Part of the conversation poems, the poem discusses Coleridge's childhood experience in a negative manner and emphasizes the need to be raised in the countryside. The poem expresses hope that Coleridge's son, Hartley, would be able to experience a childhood that ...