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Desired patterns were a result of repetition of processes over time. Ghana: Adinkra symbols representing proverbs and aphorisms were stenciled on fabric using carved calabash stamps [23] and a vegetable-based dye to make Adinkra cloths traditionally worn by royalty and spiritual leaders. Adinkra cloths originated from the Bono Akan tribe of Ghana.
T'nalak. Tnalak (also spelled tenalak), is a weaving tradition using resist-dyed threads of the Tboli people of South Cotabato, Philippines. [1] T'nalak cloth is woven exclusively by women who have received the designs for the weave in their dreams, which they believe are a gift from Fu Dalu, the T'boli Goddess of abacá.
It can also involve a mouse as the agent of the earth spirit. Ifá , one of the oldest forms of geomancy, originated in West Africa, and uses the same sixteen geomantic figures as in Arabic and Western geomancy with different meanings and names; the process is shortened to using only two figures.
Kuba textiles are a type of raffia cloth unique to the Democratic Republic of the Congo, formerly Zaire, and noted for their elaboration and complexity of design and surface decoration. Most textiles are a variation on rectangular or square pieces of woven palm leaf fiber enhanced by geometric designs executed in linear embroidery and other ...
Storage of patterns. Fitting a nettle/canvas-fabric on a dress form. In sewing and fashion design, a pattern is the template from which the parts of a garment are traced onto woven or knitted fabrics before being cut out and assembled. Patterns are usually made of paper, and are sometimes made of sturdier materials like paperboard or cardboard ...
Korean traditional patterns. The longing for a realistic desire or association with the world through a specific object is the principle of charm for Korean patterns. Traditional patterns can be seen as incantation prints depending on whether a wish is realistic for an ideal life. As a result, traditional Korean patterns are seen as visual art ...
Most commonly, Kurdish women wear a mesh fabric or a sheer fabric which is ornamented skillfully with many beads or sequins, or both. The embroidery can be the same colour as the fabric, or multicoloured to create a bright dress. [7] The brightly coloured outfits characterize the spirit of the Kurdish people.
Amanda Phelan is a New York-based creative who works across many disciplines and media as a director, producer, designer and textile engineer. Phelan's textile work is noted for a high level of technical virtuosity and advanced material fabrication research. Drawing on her shared passions for pattern, rhythm, visual and performing arts, her ...
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