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Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
The vertical–horizontal illusion is the tendency for observers to overestimate the length of a vertical line relative to a horizontal line of the same length. [1] This involves a bisecting component that causes the bisecting line to appear longer than the line that is bisected. People often overestimate or underestimate the length of the ...
In music theory, counterpoint is the relationship of two or more simultaneous musical lines (also called voices) that are harmonically interdependent yet independent in rhythm and melodic contour. [ 1 ] The term originates from the Latin punctus contra punctum meaning "point against point", i.e. "note against note".
Musical phrasing is the method by which a musician shapes a sequence of notes in a passage of music to allow expression, much like when speaking English a phrase may be written identically but may be spoken differently, and is named for the interpretation of small units of time known as phrases (half of a period).
Caesura. A caesura (/ sɪˈzjʊərə /, pl. caesuras or caesurae; Latin for "cutting"), also written cæsura and cesura, is a metrical pause or break in a verse where one phrase ends and another phrase begins. It may be expressed by a comma (,), a tick ( ), or two lines, either slashed (//) or upright (||). In time value, this break may vary ...
In music composition, fragmentation is the use of fragments or the "division of a musical idea (gesture, motive, theme, etc.) into segments ". It is used in tonal and atonal music, and is a common method of localized development and closure. Fragmentation is related to Arnold Schoenberg 's concept of liquidation, [1] a common compositional ...
Bisector (music) Octatonic scale produced by a chain or circle of bisectors. For comparison, the chromatic scale produced by an aliquant bisector or generator, the perfect fifth, creating a circle of fifths. In diatonic set theory, a bisector divides the octave approximately in half (the equal tempered tritone is exactly half the octave) and ...
comping (jazz) 1. to comp; action of accompanying. con. With; used in very many musical directions, for example con allegrezza (with liveliness), con calma (calmly lit.'with calm'); (see also col and colla) con dolcezza. See dolce. con sordina or con sordine (plural) With a mute, or with mutes.