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A French curve is a template usually made from metal, wood or plastic composed of many different curved segments. It is used in manual drafting and in fashion design to draw smooth curves of varying radii. The curve is placed on the drawing material, and a pencil, knife or other
Twisting and curving line forms have a long history in art and design. Whiplash curves have similarities with the arabesque design, used particularly in Islamic art, such as the ceramic tiles of the mosque of Samarkand in Central Asia. Curvilinear design is a noticeable element of Gothic architecture, in, for example, church window tracery.
French curves are used for drawing curves which cannot be drawn with compasses. A faint freehand curve is first drawn through the known points; the longest possible curve that coincides exactly with the freehand curve is then found out from the French curves. Finally, a neat continuous curve is drawn with the aid of the French curves.
The drafter uses several technical drawing tools to draw curves and circles. Primary among these are the compasses, used for drawing arcs and circles, and the French curve, for drawing curves. A spline is a rubber coated articulated metal that can be manually bent to most curves.
Pierre Étienne Bézier (1 September 1910 – 25 November 1999; [pjɛʁ etjɛn bezje]) was a French engineer and one of the founders of the fields of solid, geometric and physical modelling as well as in the field of representing curves, especially in computer-aided design and manufacturing systems. [1]
These pieces had natural curves and motifs popular in French Art Nouveau. However, the furniture of Peter Behrens was in sharp contrast with French Art Nouveau. The influence of nature and natural motifs, such as flower stems and lily pads, the primary element of French Art Nouveau furniture, almost disappeared: this Jugendstil was rationalist ...
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Rocaille was exuberant and inspired by nature like Rococo, but, unlike Rococo, it was usually symmetrical and not overloaded with decoration. It took its name from the mixture of rock, seashell and plaster that was used to create a picturesque effect in grottos during the Renaissance, and from the name of a seashell-shaped ornament which was frequent feature of Rocaille decoration. [7]
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