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By definition, the arts themselves are open to being continually redefined. The practice of modern art, for example, is a testament to the shifting boundaries, improvisation and experimentation, reflexive nature, and self-criticism or questioning that art and its conditions of production, reception, and possibility can undergo.
That is why historical definitions of art must also include a disjunct for first art: Something is art if it possesses a historical relation to previous artworks, or is first art. The philosopher primarily associated with the historical definition of art is Jerrold Levinson (1979). For Levinson, "a work of art is a thing intended for regard-as ...
The nature of art and related concepts, such as creativity and interpretation, are explored in a branch of philosophy known as aesthetics. [10] The resulting artworks are studied in the professional fields of art criticism and the history of art.
Art, in its broadest meaning, is the expression of creativity or imagination. The word art comes from the Latin word ars , which, loosely translated, means "arrangement". Art is commonly understood as the act of making works (or artworks ) which use the human creative impulse and which have meaning beyond simple description.
However, the very nature of art itself appeals to "Earth", as a function of art is to highlight the natural materials used to create it, such as the colors of the paint, the density of the language, or the texture of the stone, as well as the fact that everywhere an implicit background is necessary for every significant explicit representation.
Venus de Milo, at the Louvre. Art history is, briefly, the history of art—or the study of a specific type of objects created in the past. [1]Traditionally, the discipline of art history emphasized painting, drawing, sculpture, architecture, ceramics and decorative arts; yet today, art history examines broader aspects of visual culture, including the various visual and conceptual outcomes ...
The French artist Marcel Duchamp paved the way for the conceptualists, providing them with examples of prototypically conceptual works — the readymades, for instance.The most famous of Duchamp's readymades was Fountain (1917), a standard urinal-basin signed by the artist with the pseudonym "R.Mutt", and submitted for inclusion in the annual, un-juried exhibition of the Society of Independent ...
Because of this, the products of art are separate from the work of art. Because of the actionable nature of art, Dewey argues, then it cannot be divided into categories and subcategories. He provides an example of describing the color red; when one describes red as being the color of a rose or of a sunset, Dewey explains, an inaccuracy is ...