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John Donne's poetry represented a shift from classical forms to more personal poetry. Donne is noted for his poetic metre, which was structured with changing and jagged rhythms that closely resemble casual speech (it was for this that the more classical-minded Ben Jonson commented that "Donne, for not keeping of accent, deserved hanging"). [15]
John Donne, aged about 42. Donne was born in 1572 to a wealthy ironmonger and a warden of the Worshipful Company of Ironmongers, and his wife Elizabeth. [2] After his father's death when he was four, Donne was trained as a gentleman scholar; his family used the money his father had made to hire tutors who taught him grammar, rhetoric, mathematics, history and foreign languages.
Sir John kneels at left, Lady Donne and a daughter at right. Sir John Donne (c.1420s – January 1503) [1] was a Welsh courtier, diplomat and soldier, a notable figure of the Yorkist party. In the 1470s, he commissioned the Donne Triptych, a triptych altarpiece by Hans Memling now in the National Gallery, London. It contains portraits of him ...
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Pseudo-Martyr is a 1610 polemical prose tract in English by John Donne. It contributed to the religious pamphlet war of the time, and was Donne's first appearance in print. It argued that English Roman Catholics should take the Oath of Allegiance of James I of England. [1] It was printed by William Stansby for Walter Burre. [2]
Death's Duel is the final sermon delivered by John Donne as the Dean of St. Paul's Cathedral. Donne received notice to preach the sermon on the first Friday of Lent (12 February 1631 [1]) and preached the sermon on 25 February 1631. [2] The sermon was likely written out in full prior to Donne preaching it as it was subsequently prepared for ...
Holy Sonnet VIII – also known by its opening words as If Faithful Souls Be Alike Glorified – is a poem written by John Donne, an English metaphysical poet. It was first published in 1633, two years after the author's death.
The Song: Go and Catch a Falling Star, also known simply as Song, is a poem by John Donne, one of the leading English metaphysical poets.Probably first passed round in manuscript during the final decade of the 16th century, it was not published until the first edition of Donne's collected poems in 1633 - two years after the poet's death. [2]