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Stained glass symbolic representation of the Holy Spirit as a dove, c. 1660. The seven gifts of the Holy Spirit are an enumeration of seven spiritual gifts first found in the book of Isaiah, [1] and much commented upon by patristic authors. [2] They are: wisdom, understanding, counsel, fortitude, knowledge, piety, and fear of the Lord. [3]
The Holy Spirit as a dove in the Annunciation by Rubens, 1628. The Holy Spirit has been represented in Christian art both in the Eastern and Western Churches using a variety of depictions. [1] [2] [3] The depictions have ranged from nearly identical figures that represent the three persons of the Holy Trinity from a dove to a flame. [4]
The Holy Spirit is often depicted as a dove, based on the account of the Holy Spirit descending on Jesus like a dove when he was baptized in the Jordan river. [149] In many paintings of the Annunciation , the Holy Spirit is shown in the form of a dove, coming down towards Mary on beams of light, as the Archangel Gabriel announces Jesus Christ ...
The lamb is now the most important of these, and its meaning is either the same as before or, more frequently perhaps, it is symbolic of Christ the expiatory victim. The dove is the Holy Spirit, and the four animals that St. John saw in Heaven [3] are used as personifications of the Four Evangelists.
In Christian Iconography, a dove also symbolizes the Holy Spirit, in reference to Matthew 3:16 and Luke 3:22 where the Holy Spirit is compared to a dove at the Baptism of Jesus. [19] [20] The early Christians in Rome incorporated into their funerary art the image of a dove carrying an olive branch, often accompanied by the word "Peace".
Didron, Adolphe Napoléon, Christian Iconography: Or, The History of Christian Art in the Middle Ages, Translated by Ellen J. Millington, H. G. Bohn, (Original from Harvard University, Digitized for Google Books) – Volume I, Part I (pp. 25–165) is concerned with the halo in its different forms, though the book is not up to date. Dodwell, C. R.,
However, even in the later part of the 15th century, the representation of the Father and the Holy Spirit as "hands and dove" continued, e.g. in Verrocchio's Baptism of Christ in 1472. [ 21 ] In Renaissance paintings of the adoration of the Trinity, God may be depicted in two ways, either with emphasis on The Father, or the three elements of ...
Based on this verse the dove has long been a symbol for the Holy Spirit in Christian art. France notes that the wording in Matthew is vague, the Spirit could be descending in the shape of a dove or it could be descending in the manner of the dove. Luke is explicit that it is in the shape of a dove, and most readers accept this meaning. [2]
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