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The logo of Air New Zealand, the national carrier, incorporates a koru design — based on the Ngaru (Ngāti Kahungunu) [5] kōwhaiwhai pattern — as a symbol of New Zealand flora. The logo was introduced in 1973 to coincide with the arrival of the airline's first McDonnell Douglas DC-10 wide-body jet.
Tukutuku panelling is a distinctive art form of the Māori people of New Zealand, a traditional latticework used to decorate meeting houses (Wharenui). [1] Other names are Tuitui and Arapaki. Tukutuku flank the posts around the edge of the wharenui, the posts are usually carved and represent ancestors. [2] The patterns of tukutuku have symbolic ...
The design features a koru (Māori for fern frond), a common design in Māori tattoo and sculpture. It symbolises renewal and hope for the future. [2] The white part of the flag is also a reference to the Māori name for the territory that later became New Zealand. Aotearoa, or "Land of the Long White Cloud." [2]
The symbols on the shield represent the country's maritime trade, agriculture and industry. A European woman and a Māori chief flank the left and right sides, identifying New Zealand as a bicultural nation (European New Zealanders and Māori). The figures are supported by the silver fern, a native plant.
Women continued receiving moko through the early 20th century, [12] and the historian Michael King in the early 1970s interviewed over 70 elderly women who would have been given the moko before the 1907 Tohunga Suppression Act. [13] [14] Women's tattoos on lips and chin are commonly called pūkauae or moko kauae. [15] [16]
New Zealand has four university-based fine art schools: AUT School of Art and Design at Auckland University of Technology, Ilam School of Fine Arts at the University of Canterbury (formerly Canterbury College School of Art) was founded in 1882, Elam School of Fine Arts at the University of Auckland was founded in 1890 and Massey School of Fine ...
According to Horatio Gordon Robley, there are two main ideas behind the symbolism of hei-tiki: they are either memorials to ancestors, or represent the goddess of childbirth, Hineteiwaiwa. The rationale behind the first theory is that they were often buried when their kaitiaki (guardian) died and retrieved later to be placed somewhere special ...
Moko facial tattoos were traditional in Māori culture until about the mid-19th century, when their use began to disappear. There has been something of a revival from the late 20th century. In pre-European Māori culture, they denoted high social status. Generally only men had full facial moko. High-ranked women often had moko on their lips and ...