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The healing of the mother of Peter's wife is one of the miracles of Jesus in the Gospels, reported in Matthew 8:14–15, Mark 1:29–31, and Luke 4:38–39. [ 1 ] Narrative
John's Gospel relates Jesus convincing Nathanael to join this group in John 1:43–51. Mark says they had nets in Mark 1:16 and they and their father, Zebedee, employed other men in Mark 1:20. Karris argues this shows they had money and a high probability of being educated, with a knowledge of the Jewish Bible.
Text incipit of the harmonised hymn. Information regarding which part of the hymn Bach used is given in parentheses, typically verse numbers indicated by "v." Hymn titles without such information as in (untexted) chorale harmonisation collections. 2 Zahn Zahn number of the chorale melody. When the data in the Zahn column starts with N that ...
Mark 4 is the fourth chapter of the Gospel of Mark in the New Testament of the Christian Bible. It tells the parable of the Sower , with its explanation, and the parable of the Mustard Seed . Both of these parables are paralleled in Matthew and Luke , but this chapter also has a parable unique to Mark, the Seed Growing Secretly .
Mark 1:5 ποταμῷ ([in the] river) – Byz ς WH [10] omitted – D W Θ 28 565 799 it a Eusebius [10] Mark 1:6 καὶ ζώνην δερματίνην περὶ τὴν ὀσφὺν αὐτοῦ (and a belt of leather around the waist of him) – Byz it aur it c it f it l it q vg ς WH [11] omitted – D it a it b it d it ff2 it r1 it t ...
The Gospel of Mark begins by calling Jesus the Son of God and reaffirms the title twice when a voice from Heaven calls Jesus "my beloved Son" in Mark 1:11 and Mark 9:7. [78] In Matthew 14:33, after Jesus walks on water, the disciples tell Jesus: "You really are the Son of God!"
The St Mark Passion seems to reuse virtually the whole of the Trauer Ode Laß, Fürstin, laß noch einen Strahl, BWV 198, [1] along with the two arias from Widerstehe doch der Sünde, BWV 54. In addition, two choruses from the St Mark Passion may have been reused in the Christmas Oratorio. This leaves only a couple of missing arias, which are ...
The Ambrosian hymns are a collection of early hymns of the Latin liturgical rites, whose core of four hymns were by Ambrose of Milan in the 4th century.. The hymns of this core were enriched with another eleven to form the Old Hymnal, which spread from the Ambrosian Rite of Milan throughout Lombard Italy, Visigothic Spain, Anglo-Saxon England and the Frankish Empire during the early medieval ...