Search results
Results from the WOW.Com Content Network
The protagonist is the character whose fate is most closely followed by the reader or audience, and who is opposed by the antagonist. The antagonist provides obstacles and complications and creates conflicts that test the protagonist, revealing the strengths and weaknesses of the protagonist's character, and having the protagonist develop as a ...
Major Major Major Major is a fictional character in Joseph Heller's 1961 novel Catch-22. He was named "Major Major Major" by his father, as a joke – passing up such lesser possibilities as "Drum Major, Minor Major, Sergeant Major, or C Sharp Major". [ 1 ]
Regular characters may be both core and secondary ones. A recurring character or supporting character often and frequently appears from time to time during the series' run. [23] Recurring characters often play major roles in more than one episode, sometimes being the main focus.
Another major difference in drama is that it is not possible to 'go inside the character's head' in the way possible in a novel, meaning this method of character exposition is unavailable. Still another is that in drama, a character usually can be seen and heard and need not be described.
A major character flaw is a much more noticeable and important hindrance which actually impairs the individual, whether physically, mentally or morally. Sometimes major flaws are not actually negative per se (such as devout religious beliefs or a rigid code of honor), but are classified as such in that they often serve to hinder or restrict the ...
Major, also called the Willingdon Beauty during showings, is the first major character described by George Orwell in his 1945 novella Animal Farm. An elderly Middle White boar, his " purebred " of pigs is a kind, grandfatherly philosopher of change.
In literature, the deuteragonist (/ ˌ dj uː t ə ˈ r æ ɡ ə n ɪ s t / DEW-tə-RAG-ə-nist; from Ancient Greek δευτεραγωνιστής (deuteragōnistḗs) 'second actor') or secondary main character [1] is the second most important character of a narrative, after the protagonist and before the tritagonist. [2]
The character is inspired by the commedia dell'arte stock character of Brighella, [32] and like his predecessor he is a clever liar; moral and yet unscrupulous; good humored, helpful and brave, though somewhat embittered and cynical. Though he is normally calm, collected and intelligent, he can be irrational when angered.