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The grand staff. When music on two staves is joined by a brace, or is intended to be played at once by a single performer (usually a keyboard instrument or harp), a grand staff (American English) or great stave (British English) is created. [dubious – discuss] Typically, the upper staff uses a treble clef and the lower staff has a bass clef.
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
Musical notation is any system used to visually represent music. Systems of notation generally represent the elements of a piece of music that are considered important for its performance in the context of a given musical tradition. The process of interpreting musical notation is often referred to as reading music.
The music written for drummers is not the same as, say, a pianist. Drummers use their own symbols and language in their charts. For example, a "middle C" note written on a staff for pianists is equivalent to the "snare drum" for drummers. Or, the note "F" on the piano staff is equal to the "bass drum." There is no set standard for writing drum ...
A rehearsal letter, sometimes referred to as rehearsal marks, [1] [2] rehearsal figures, [3] or rehearsal numbers, is a boldface letter of the alphabet in an orchestral score, and its corresponding parts, that provides the conductor, who typically leads rehearsals, with a convenient spot to tell the orchestra to begin at places other than the start of movements or pieces.
Key signatures indicate that this applies to the section of music that follows, showing the reader which key the music is in, and making it unnecessary to apply accidentals to individual notes. In standard music notation , the order in which sharps or flats appear in key signatures is uniform, following the circle of fifths : F ♯ , C ♯ , G ...
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In printed music from the 16th and 17th centuries, the C clef often assumed a ladder-like form, in which the two horizontal rungs surround the staff line indicated as C: ; this form survived in some printed editions (see this example, written in four-part men's harmony and positioned to make it equivalent to an octave G clef) into the 20th century.