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Fungi from Yuggoth represents a marked departure from the mannered poems Lovecraft had been writing up to this point. Sending a copy of "Recapture" (which just predates the sequence but was later incorporated into it) the poet remarks that it is “illustrative of my efforts to practice what I preach regarding direct and unaffected diction”. [4]
Requiem is often said to have no clearly definable plot but has many themes which carry throughout the entire poem. [7] One of the most important themes that also stands as part of the title is the theme of "A poem without a hero". [7] [9] Throughout the entire cycle and the many poems within, there is no hero that comes to the rescue. It is ...
The poem serves as an allegory about a king "in the olden time long ago" who is afraid of evil forces that threaten him and his palace, foreshadowing impending doom. As part of "The Fall of the House of Usher", Poe said, "I mean to imply a mind haunted by phantoms — a disordered brain" [1] referring to Roderick Usher.
"All work and no play makes Jack a dull boy" is an old proverb that means without time off from work, a person becomes both bored and boring. It is often shortened to "all work and no play". [ 1 ] It was newly popularized after the phrase was featured in the 1980 horror film, The Shining .
"The Dark Man" is an early poem written by Stephen King when he was in college. It was later published in Ubris in 1969. It served as the genesis for the character of Randall Flagg. [1] An edition from Cemetery Dance Publications with illustrations from Glenn Chadbourne was released in July 2013. [2]
This is a navigational list of notable writers who have published significant work in the horror fiction genre, who also have stand-alone articles on Wikipedia. All items must have a reference to demonstrate that they have produced significant work in the horror genre.
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The Ballade des pendus, literally "ballad of the hanged", also known as Epitaphe Villon or Frères humains, is the best-known poem by François Villon. It is commonly acknowledged, although not clearly established, that Villon wrote it in prison while he awaited his execution. It was published posthumously in 1489 by Antoine Vérard.
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