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"Tsugaru Kaikyō Fuyugeshiki" (津軽海峡・冬景色 Tsugaru Strait - Winter Scene) is the 15th single [1] and signature song by Japanese singer Sayuri Ishikawa. The song is written by Yu Aku as lyricist and Takashi Miki (三木たかし) as composer and arranger. The song sold over 727,000 units. [2] [3]
Chill-out (shortened as chill; also typeset as chillout or chill out) is a loosely defined form of popular music characterized by slow tempos and relaxed moods. [1] [2] The definition of "chill-out music" has evolved throughout the decades, and generally refers to anything that might be identified as a modern type of easy listening.
Ambient music is a genre of music that emphasizes tone and atmosphere over traditional musical structure or rhythm. It is often "peaceful" sounding and lacks composition, beat, and/or structured melody. [5] It uses textural layers of sound that can reward both passive and active listening [6] and encourage a sense of calm or contemplation.
Here's the best modern and new Christmas music to refresh your holiday playlist in 2024, featuring hits from Justin Bieber, Taylor Swift, Sabrina Carpenter, and more.
The music is calm, slow, and mellow, and composed for piano, cello, two violas, two violins, organ, soprano vocals, synthesisers, and electronics. Strings are played by the American Contemporary Music Ensemble (Ben Russell, Yuki Numata Resnik, Caleb Burhans, Clarice Jensen and Brian Snow), vocals are by Grace Davidson, and the piano ...
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"And Winter Came..." is an instrumental and a rearranged version of "Midnight Blue", the B-side to "Wild Child", the second single from A Day Without Rain (2000). The majority of Enya's albums begin with a same-titled instrumental and she selected the title track as the opener because its themes "sets the mood of autumn going into winter". [5] "
Halpern played trumpet and guitar in the New York City jazz scene of the 1960s, but became disenchanted with it and moved to California.There he began exploring the idea of creating music entirely for the purpose of relaxation, which he called "anti-frantic alternative" music. [1]