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The tiles used in the Independent Subway System (IND) are very simple and austere, and usually are only of four colors: white, black, and the station-specific band and border colors of the tile. Instead of using the serif and sans-serif fonts of the IRT and BMT, the IND used a blocky geometric font, an altered version of the previous sans-serif ...
Unlike traditional architectural terra-cotta, ceramic veneer is not hollow cast. It is a veneer of glazed ceramic tile which is ribbed on the back like bathroom tile and usually attached to a grid of metal ties which have been anchored to the building. Glazed architectural terra-cotta was the most complex building material developed.
The second and third stories are made of white glazed terracotta, which dates from the theater's opening in 1914. A cornice with dentils runs horizontally across the facade just below the second floor. The second- and third-story windows are arranged vertically into four bays. [8]
The Bell Edison Telephone Building in Birmingham is a late 19th-century red brick and architectural terracotta building. Architectural terracotta refers to a fired mixture of clay and water that can be used in a non-structural, semi-structural, or structural capacity on the exterior or interior of a building. [1]
The platform contains tiled columns which support the ceiling. The walls next to the tracks are covered with white ceramic tiles and contain mosaic tablets with the station's name. At the top of the wall is a cornice composed of 5-foot-wide (1.5 m) blue-and-buff panels, above which is a border with geometric motifs. There are mosaic plaques ...
Susan Tunick, president of the non-profit group Friends of Terra Cotta, saw dumpsters outside the hotel filled with fragments from the murals. [54] In 2001, six of the murals were reassembled under the oversight of the MTA Arts for Transit program at the William Street entrance of the New York City Subway's Fulton Street station. [55] [56]