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Funeral Blues", or "Stop all the clocks", is a poem by W. H. Auden which first appeared in the 1936 play The Ascent of F6. Auden substantially rewrote the poem several years later as a cabaret song for the singer Hedli Anderson .
Wystan Hugh Auden (/ ˈ w ɪ s t ən ˈ h juː ˈ ɔː d ən /; 21 February 1907 – 29 September 1973 [1]) was a British-American poet. Auden's poetry is noted for its stylistic and technical achievement, its engagement with politics, morals, love, and religion, and its variety in tone, form, and content.
The poem inspired Leonard Bernstein's 1949 Symphony No. 2, also known as The Age of Anxiety.. The phrase "Age of Anxiety" was used in the titles of E. R. Dodds' book Pagan and Christian in an Age of Anxiety (1965), as well as Pete Townshend's novel The Age of Anxiety (2019).
The play is dedicated to Auden's geologist brother John Bicknell Auden who had taken part in an expedition near the Karakoram mountain K2. [2]The play is widely regarded as an allegory of Auden's own temptation to be a public figure; this interpretation was first offered by R. G. Collingwood in The Principles of Art (1938).
This is a bibliography of books, plays, films, and libretti written, edited, or translated by the Anglo-American poet W. H. Auden (1907–1973). See the main entry for a list of biographical and critical studies and external links.
Rónán Ó Snodaigh from Kíla, who co-wrote the song Friends with Mic and shared a flat with him in the years before his death, wrote the song "The dream I haven't shown her" on his album The Playdays for Mic, it is a medley of the W.H. Auden poem; Funeral Blues and a song written by Mic Christopher Embrace the Day.
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The cooling board is referred to in a number of blues songs, such as "Cooling Board Blues" by Blind Willie McTell. [1] The undertaker, funeral director as we would call them today, would travel to the home where the corpse would be ready for embalming. At times, families would request that the corpse not be embalmed.