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Some 1920s Irish banjo players picked out the melodies of jigs, reels, and hornpipes on tenor banjos, decorating the tunes with snappy triplet ornaments. The most important Irish banjo player of this era was Mike Flanagan of the New York-based Flanagan Brothers, one of the most popular Irish-American groups of the day. Other pre-WWII Irish ...
Irish dance music is isometric and is built around patterns of bar-long melodic phrases akin to call and response.A common pattern is A Phrase, B Phrase, A Phrase, Partial Resolution, A Phrase, B Phrase, A Phrase, Final Resolution, though this is not universal; mazurkas, for example, tend to feature a C Phrase instead of a repeated A Phrase before the Partial and Final Resolutions, for example.
Hybrid of mandolin and banjo but with only one string per course Banjo, Long Neck 5 strings 5 courses. E 4 B 2 E 3 G ♯ 3 B 3 "Pete Seeger" Banjo US (commissioned by Pete Seeger) Open string tuning; often played with capo on 3rd fret Banjo, tenor 4 strings 4 courses. Standard/common : C 3 G 3 D 4 A 4. Alternate: Irish : G 2 D 3 A 3 E 4; US US ...
Bernard Noël "Banjo Barney" McKenna (16 December 1939 – 5 April 2012 [1]) was an Irish musician and a founding member of The Dubliners. He played the tenor banjo , violin, mandolin , and melodeon .
Gerry O'Connor (born 21 July 1960 in Nenagh, County Tipperary, Ireland) is a traditional tenor banjo player. As Earl Hitchener (music critic for the Wall Street Journal) said, Gerry O'Connor can be considered at the moment "the single best four string banjoist in the history of Irish Music". [1] He also plays mandolin, fiddle, guitar and tenor ...
The organ accompaniment rests on a pattern of chords held often for a full measure in the left hand, and broken chords in eighth-notes in the right hand. The choir voices enter together, with the lower voices also moving slowly like the left hand (a full measure for "Deep", another one for "peace"), while the soprano pronounces "peace" sooner ...
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