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Tanling ruqun (Chinese: 坦领襦裙; pinyin: Tǎnlǐng rúqún; lit. 'Flat (or open-hearted) collar jacket skirt'), also known as Tan collar ruqun and U-collar ruqun, [1] is a type of Hanfu which was developed under the influence of Hufu (most likely influenced by Qiuci); [2] it is a form a kind of ruqun which typically consists of three parts, featuring a low-cut [3]: 93–94 low-cut U ...
Auspicious symbols and motifs continue to be used in present-day China in industries, such as home textiles and clothing; they are also used in modern design packaging and interior design. [5] Some of these Chinese auspicious ornaments were also adopted by European countries during the era of Chinoiserie, where they became decorative patterns ...
Hezi (Chinese: 诃子), also known as moxiong (抹胸) in the Song dynasty, waxiong (袜胸), lanqun (襕裙), and Hehuan lanqun (合欢襕裙), is a type of ancient Chinese corset-like garment item, which is typically used as an undergarment or decorative over-garment accessory in hanfu.
According to ancient Chinese beliefs, the only moment the Han Chinese were supposed to use zuoren was when they dressed their deceased. [2] This funeral practice was rooted in ancient Chinese beliefs; especially in the Yin and Yang theory, where it is believed that the left side is the Yang and stands for life whereas the right side is the Yin ...
"Chinese ink painting skirt". A skirt where scattered flowers pattern were printed. [19] Qing Fengweiqun: 凤尾裙 Lit. "Phoenix-tail skirt". An underskirt which is decorated with long ribbons of different colours of silk, the ribbons were narrow. Different embroidery is found on in each ribbon strips. It was popular during the reign of Kangxi ...
'Big sleeves'), [3] is a form of shan, a traditional Chinese upper garment, with broad sleeves in Hanfu. It was most popular during the Tang dynasty , particularly among the members of royalty. [ 4 ] [ 5 ] The daxiushan was mainly worn for special ceremonial occasions and had different variations, mainly the result of different collar ...
"Huang Di, Yao, and Shun (simply) wore their upper and lower garments [衣裳; yī cháng] (as patterns to the people), and good order was secured all under heaven". Hanfu had changed and evolved with the fashion of the days since its commonly assumed beginnings in the Shang dynasty. Many of the earlier designs are more gender-neutral and ...
Traditional Chinese visual design elements: their applicability in contemporary Chinese design (Master of Science in Design thesis). Arizona State University. Welch, Patricia Bjaaland (2012). Chinese art : a guide to motifs and visual imagery. Boston, US: Tuttle Publishing. ISBN 978-1-4629-0689-5. OCLC 893707208.
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