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The Fender Harvard is a vacuum tube (valve) guitar amplifier made by Fender from 1955 to 1963. The Harvard appeared only in a tweed covered "narrow-panel" cabinet, but in two very different circuit designs, namely 5F10 (1955–61) and 6G10 (1962–63).
The output transformer was an initial weak point in the design as they tended to short out and fail under the increased power after 1958 when the Super regained its 40 watts of muscle thanks to the return to 6L6/5881 power tubes. As a result, Fender began using Woodward-Schumacher 4-ohm transformers (stamped 125A6A).
Fender Bronco [10] (Lives on through Squier as a bass guitar) Fender Bullet [11] (lives on through Squier) Fender Coronado [12] Fender Cyclone (lives on through Squier) Fender Esquire; Fender HM Strat USA/Japan; Fender Marauder; Fender Musicmaster; Fender Performer; Fender Prodigy [13] Fender Showmaster; Fender Starcaster [14] (lives on through ...
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Fender branded vacuum tube. The first "Fender" amplifiers were manufactured by Leo Fender and Doc Kauffman, [1] doing business as the K&F Manufacturing Corporation. [2] The amplifiers were housed in a steel case and most were finished in a "gray crinkle" finish that was baked in the Kauffman family oven.
Fender Bandmaster, model 5G7, early 1960. The Fender Bandmaster was a musical instrument amplifier made by Fender. It was introduced in 1953 and discontinued in 1974. [1] Some early models had both a microphone input and instrument inputs. Beginning in 1960, Bandmaster amps were equipped with a vibrato effect.
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Fender published the Fender Frontline magazine as a source of product, artist and technical data for the company's customers. [25] The first half featured interviews and articles about the guitars and the stars who played them, and the second half was a catalog section. [26] Fender published 27 issues of the magazine from 1990 through 2000. [26]