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In many paintings of the Annunciation, the Holy Spirit is shown in the form of a dove, coming down towards Mary on beams of light, as the Archangel Gabriel announces Christ's coming to Mary. A dove may also be seen at the ear of Saint Gregory the Great─as recorded by his secretary or other church father authors, dictating their works to them.
The congregants will then chant "Lord, have mercy" (Kyrie eleison in Greek) until the Holy Fire "descends" on a lamp of olive oil held by the patriarch while he is alone in the tomb chamber. The patriarch will then reveal himself from the tomb chamber and recite some prayers and light either 33 or 12 candles and distribute them to the congregants.
The paintings depict human faces in profile made up from different animals or objects. Air is represented by birds, Fire by burning wood and cannons, Earth by land animals and Water by marine creatures. The series attempts to express the creation of harmony from chaos by the careful arrangement of the wild animals to form portraits whilst also ...
Philadelphia Museum of Art, 36.2 in (92 cm) x 48.5 in (123.1 cm) Cleveland Museum of Art, 92 cm (36.2 in) x 123 cm (48.4 in). The Burning of the Houses of Lords and Commons, 16th October, 1834 is the title of two oil on canvas paintings by J. M. W. Turner, depicting different views of the fire that broke out at the Houses of Parliament on the evening of 16 October 1834.
A Fire in the Woods is a 1947 oil painting by the American outsider painter Grandma Moses, produced at age 87 and signed "Moses". It has been in the collection of the National Gallery of Art since 1999. [1] It shows a scene of the artist's impression of a forest fire, with figures rushing towards the scene as well as watching.
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The Saviour (Spanish - El Salvador) is a 1608–1614 oil on canvas painting by El Greco, now in the Museo del Prado in Madrid, Spain. It shows Christ as the saviour of the world, represented by the globe beneath his left hand. It draws on the traditions of Byzantine art whilst also incorporating elements of Counter-Reformation painting.
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