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It is in iambic pentameter rhyming ABABAB in the first stanza; each stanza begins by repeating the previous end-words 6 then 1, but the following 4 lines repeat the remaining end-words ad lib; the envoi is (1) 4 / (2) 3 / (5) 6. In the same volume (Poems and Ballads, Second Series, 1878) Swinburne introduces a "double sestina" [5] [21] ("The ...
A sestet is six lines of poetry forming a stanza or complete poem. A sestet is also the name given to the second division of an Italian sonnet (as opposed to an English or Spenserian Sonnet), which must consist of an octave, of eight lines, succeeded by a sestet, of six lines.
A sestain is a six-line poem or repetitive unit of a poem of this format , comparable to quatrain (Ruba'i in Persian and Arabic) which is a four-line poem or a unit of a poem. There are many types of sestain with different rhyme schemes , for example AABBCC, ABABCC, AABCCB or AAABAB. [ 1 ]
In poetry, a stanza (/ ˈ s t æ n z ə /; from Italian stanza, Italian:; lit. ' room ') is a group of lines within a poem, usually set off from others by a blank line or indentation. [1] Stanzas can have regular rhyme and metrical schemes, but they are not required to have either. There are many different forms of stanzas.
The title "Stanzas" was assigned to this untitled poem originally printed in Tamerlane and Other Poems in 1827. Another poem with the title "Stanzas" was published in the Graham's Magazine in December 1845 and signed "P." It was attributed to Poe based on a copy owned by Frances Osgood, on which she had pencilled notes.
Half of my youth I watched the soldiers And saw mechanic clerk and cook Subsumed beneath a uniform. Gray black and khaki was their look Whose tool and instrument was death.
The Shadorma is a poetic form consisting of a six-line stanza (or sestet) that originated from Spain. [1] Each stanza has a syllable count of three syllables in the first line, five syllables in the second line, three syllables in the third and fourth lines, seven syllables in the fifth line, and five syllables in the sixth line (3/5/3/3/7/5) for a total of 26 syllables. [2]
The favoured tail rhyme stanza forms, too, also shortened, with fewer examples of the twelve- and sixteen-line tail rhyme stanzas that had proved successful in Middle English. [16] From the sixteenth to the nineteenth century, the most popular tail rhyme stanza was AABCCB, with the main lines in tetrameter and the B-lines in either trimeter or ...