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The painting is an example of the Dutch vanitas genre and an example of Dutch realism. The painting was privately owned until it was purchased by the Rijksmuseum in 1963. For many years experts thought it was the work of Rembrandt. The still life includes ledgers (books), a pewter jug, and pewter plate.
The old masters prepared the copper for painting first by rubbing it with fine pumice abrasive. The copper surface was then treated with garlic juice which is believed to improve adhesion of the paint. Finally a white or grey ground layer of oil paint was applied as a primer. After drying the copper panel was ready for the artist to begin painting.
The Bookworm (German: Der Bücherwurm) is an oil-on-canvas painting by the German painter and poet Carl Spitzweg.The picture was made c. 1850 and is typical of Spitzweg's humorous, anecdotal style and it is characteristic of Biedermeier art in general. [1]
Oil painting is a painting method involving the procedure of painting with pigments with a medium of drying oil as the binder. It has been the most common technique for artistic painting on canvas , wood panel or copper for several centuries, spreading from Europe to the rest of the world.
Oil paint on canvas board More images: 1901 to 1903 Akhtyrka, Park: Musée National d'Art Moderne, Paris 23.7 x 32.8 Oil paint on canvas board More images: 1901 to 1905 Binz auf Rügen (Twilight) Musée National d'Art Moderne, Paris 23.2 x 32.8 Oil paint on canvas board More images: 1902 Kochel, the Bridge: Stedelijk Museum Amsterdam More ...
Take the Money and Run is a piece of artwork by Jens Haaning, commissioned by the Kunsten Museum of Modern Art Aalborg in Denmark in 2021. [1] [2] [3] The artwork consists of an empty canvas, intended to act as a commentary on poor work wages.
The painting depicts a woman seatead in the countryside, in open air, reading a book. She seems to be immersed in the reading of the book that she has on her lap. In the distance to her left there is a river, where can be seen a man in a boat. The green field and the blue cloudy sky, divide the painting's background almost at half size.
The illustration is an oil painting on canvas, measuring 45.75 by 35.5 inches (116.2 cm × 90.2 cm).The Norman Rockwell Museum describes it as a story illustration for The Saturday Evening Post, complementary to the theme, [7] but the image is also an autonomous visual expression.
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