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Conductor Ernest Henry Schelling with dog aboard the S.S. Paris, May 24, 1922. The New York Philharmonic's annual "Young People's Concerts" series was founded in 1924 by conductor "Uncle" Ernest Schelling and Mary Williamson Harriman and Elizabeth "Bessie" Mitchell, co-chairs of the Philharmonic's Educational and Children's Concerts Committee. [4]
Young People's Concerts (YPCs) are performed for area third through eighth grade students every fall and winter, reaching approximately 24,000 students and their teachers each year. These 40-minute programs feature the full Wichita Symphony Orchestra and often utilize actors or dancers to illustrate the program.
Although the concert was well attended, there was still backlash from press about new conductor. Determined to see the Hartford Symphony expand and flourish, Mahler developed educational and outreach programs. He began his series of “Young People’s Concerts” at The Bushnell, and appointed Mrs. Rena Oppenheimer as Educational Director.
The composer recalled those elementary school field trips to see young people’s concerts and one where a student from the audience was picked to come up and conduct the orchestra.
Among their releases are Baryshnikov's production of The Nutcracker, Leonard Bernstein's Young People's Concerts, Mathew Bourne's Swan Lake, Hal Holbrook's Mark Twain Tonight, La Boheme featuring Luciano Pavarotti, The Life & Times of Nelson Mandela, the Birmingham Royal Ballet production of Cinderella, and The Best of Riverdance.
The season expanded in size to 8, then 9, then eventually to 12 concerts including pops. Touring and run-out concerts around the state were also greatly increased, and a second home in Parkersburg was established, through a new organization, the West Virginia Symphony Orchestra – Parkersburg.
He studied under Genia Robinor and made his New York Philharmonic debut in a Young People’s Concert led by music director Leonard Bernstein on Jan. 12, 1963, a program televised three days later ...
He will go on to pioneer the African American "master teacher" phenomenon, in which a public school teacher contributes an "enormous amount of time to developing the skills of talented young people". Smith becomes a local legend, and his students include many of the "leading jazz and concert artists" of the mid-20th century.
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