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Flamenco (Spanish pronunciation: [flaˈmeŋko]) is an art form based on the various folkloric music traditions of southern Spain, developed within the gitano subculture of the region of Andalusia, and also having historical presence in Extremadura and Murcia.
The University of New Mexico's Theater and Dance Department opened the nation's only degree-granting dance program with a flamenco concentration in 1995, another testament to Benítez's influence.
When she was only four years old, she started learning flamenco from Julia Castelao. Her first public performance was at the age of eight at the Teatro-Circo de San Sebastián, in the Basque Country. She chose the name "La Argentinita" in deference to the famous flamenco dancer Antonia Mercé (La Argentina). [3]
Because the dancer is front and center in a flamenco performance, foreigners often assume the dance is the most important aspect of the art form — in fact, it is the cante which is the heart and soul of the genre. A cante singer is a cantaor or cantaora. The cante flamenco is part of musical tradition in the Andalusian region of Spain.
José Greco (né Costanzo Greco; December 23, 1918 – December 31, 2000) was an Italian-born American flamenco dancer and choreographer known for popularizing Spanish dance on the stage and screen in America mostly in the 1950s and 1960s. [1]
[3] [7] In Flamenco, being mostly an oral tradition, the lyrics often give valuable hints about their origins, and Farruca lyrics undoubtedly allude to the Galicia region. [3] Further proof can be established from the descending melody that is performed on the vowel 'a' at the end of each couplet and to close the "cante" (Spanish for song or ...
Donn E. Pohren (1929–2007) was an American guitarist and historian. He is known for his three major texts on flamenco: The Art of Flamenco (1962), Lives and Legends of Flamenco: A Biographical History (1964), and A Way of Life (1980). [1] He is the only non-Spaniard to receive the title of flamencologist by the Catedra de Flamencologia.
The dance became obsolete in the mid-19th century, but survived in an academic tradition known as the escuela bolera, which influenced the development of modern flamenco dancing. One of the palos (styles) of flamenco is derived directly from the dance, the seguidillas boleras .