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The modern company was founded in 2008 by Lawrence Rosen, whose grandfather Isidor had founded the original RoseArt company in 1923. After the sale of the company by Rosen, his father, and his brother Jeffrey Rosen to Mega Brands in 2005, Lawrence Rosen began a new company, primarily using the Cra-Z-Art branding for its products.
Pin looms were popular from the 1930s to the 1960s. [1] Quite elaborate patterns were published, especially in the 1930s. [2] 21st-century designs often focus more on the fiber than on elaborate patterning; [2] for instance, yarns with precisely repeating colours can be used to make plaids. [3]
A bracelet in progress on a bead-weaving loom A 1903 Apache bead loom. 1. Roller. 2. Roller end. 3. Spacers. 4. Spacers. When weaving on a loom, the beads are strung on the weft threads and locked in between the warp threads. Although loomed pieces are typically rectangular, it is possible to increase and decrease to produce angular or curvy ...
Handweaving looms (including floor and table looms) use interchangeable reeds, where the reeds can vary in width and dents per inch. This allows the same loom to be used for making both very fine and very coarse fabric, as well as weaving threads at dramatically different densities. [10] The width of the reed sets the maximum width of the warp. [4]
[1]: 6–26 Different yarns can be used to create patterns, [1]: 128–140 and when using sticks a curved piece of work can be created by weaving less often round certain sticks. Looms are made in a range of sizes. As an example, one English company makes looms from 200–1,200 millimetres (8–47 in), with 9-63 holes.
A table-top inkle loom was patented by Mr. Gilmore of Stockton, CA in the 1930s but inkle looms and weaving predate this by centuries. Inkle weaving was referred to 3 times in Shakespeare: in Love's Labour's Lost (Act III, Scene I), Pericles, Prince of Tyre (Act V), and in The Winter's Tale (Act IV, Scene IV). [6]
In the manufacture of cloth, warp and weft are the two basic components in weaving to transform thread and yarn into textile fabrics. The vertical warp yarns are held stationary in tension on a loom (frame) while the horizontal weft (also called the woof) is drawn through (inserted over and under) the warp thread. [1]
During the process of weaving, fabrics can decrease in width (draw in) due to the interlacement of the weft material. Temples prevent this decrease by keeping fabrics at a fixed width, thus requiring more weft to enter the weave with each pass of the shuttle.
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