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The letters in wildstyle graffiti are often highly exaggerated with curves and overlapping, intertwined, and interlocking letters. [1] Arrows are very common in wildstyle graffiti, [1] and are used to suggest the flow within the artwork. [6] Wildstyle pieces often use large amounts of vibrant colours. [7]
DAIM (German pronunciation:, like the coin dime; born 1971 as Mirko Reisser) is a German graffiti artist who lives and works in Hamburg.He is particularly known for his large-size, 3D-style graffiti works.
Darren Cullen (London) – graffiti, stencil graffiti; Robert Del Naja (Bristol) (also known as 3D) – graffiti, street art, album covers; Guy Denning (born Bristol) – stencil graffiti, paste-up, painting; Ben Eine – street art, alphabet letters; Inkie (Bristol and London) – graffiti, street art, grap design
A piece using the letters EKOM. Pieces, short for masterpieces, are a form of graffiti that involves large, elaborate and detailed letter forms. They are one of the main forms of modern graffiti, along with tags and throw ups, and are the least controversial of the three [1] and least likely to be seen as vandalism.
The Cool S consists of 14 line segments, forming a stylized, pointed S-shape.It has also been compared to the infinity symbol. [4] The S appears to have depth, where the overlap in the center of the S and the appearance of a potential altitude change at the top and bottom of the S make it look like the S connects back to itself in the same way as the infinity symbol does. [5]
Philly letters are usually difficult to read for those outside the graffiti community due to this abstraction and stylisation of the letters. Pichação is a handstyle developed in São Paulo. This handstyle is distinctively cryptic and has a dark aesthetic. The letters are usually painted vertically, while free climbing or rappeling off buildings.
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Calligraffiti artist, Tubs, explains that the art form's graffiti component forces the artist to reflect upon and consciously create a piece that will arouse a specific feeling or reaction in the viewer. [16] However, the use of the alphabet as an artistic medium [17] demands practice, accuracy, and foresight.
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