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Originally titled Father's Day, [4] Raising Cain was the director's first in the suspense/thriller genre in almost a decade; the prior was 1984's Body Double. The role of the five characters, or personalities (Carter, Cain, Dr. Nix, Josh, and Margo) went to John Lithgow, who had previously worked with De Palma in Obsession and Blow Out .
This activity is depicted in a number of folk paintings, and is described in Thomas F. De Voe’s 1862 The Market Book. It is also analyzed in the 1998 book Raising Cain: Blackface performance from Jim Crow to Hip Hop by W.T. Lhamon , in connection with the development of blackface minstrelsy as well as African-American music and African ...
"Raising Kane" is a 1971 book-length essay by American film critic Pauline Kael, in which she revived controversy over the authorship of the screenplay for the 1941 film Citizen Kane. Kael celebrated screenwriter Herman J. Mankiewicz , first-credited co-author of the screenplay, and questioned the contributions of Orson Welles , who co-wrote ...
Charles Gannon wrote Hard Times (1991), a supplement for MegaTraveller which moved the background metaplot forward by six years. [2]: 60 Gannon wrote many articles in Challenge magazine about "The Hinterworlds", a sector of space which is part of the Imperium from the Traveller universe.
Questions over the authorship of the Citizen Kane screenplay were revived in 1971 by influential film critic Pauline Kael, whose controversial 50,000-word essay "Raising Kane" was commissioned as an introduction to the shooting script in The Citizen Kane Book, [23]: 494 published in October 1971. [28]
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The story follows sorcerer-detectives Valkyrie Cain and Skulduggery Pleasant and their magic-wielding allies as they try to prevent Baron Vengeous and his forces from resurrecting the Grotesquery and returning the Faceless Ones to the world. The book did not see release in the US and Canada until 2018. [1]
Stephanie is a twelve-year-old girl, who, in the book, lives in the quiet Irish seaside town of Haggard. With the events of the books she is forced into maturing at a much faster pace. She is also the niece of Gordon Edgley, a recently deceased horror novelist, whose novels, she discovers, were not completely fictional.