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"Clair de lune", setting of the Paul Verlaine poem by Fauré, from his Two Songs, Op. 46 (1887) Clairs de lune, a set of four piano pieces, each titled "Clair de Lune", by Abel Decaux (1907) Piano Sonata No. 14, Op. 27, No. 2 (1801), the "Moonlight" piano sonata by Beethoven, known in French as Sonate au Clair de lune
Passepied had first been composed under the title Pavane, while Clair de lune was originally entitled Promenade sentimentale. These names come from poems by Paul Verlaine. [1] The title of the third movement of Suite bergamasque is taken from Verlaine's poem "Clair de lune", which refers to bergamasks in the opening stanza: [1]
"Clair de Lune" is a song released by the Australian DJ duo Flight Facilities, written by singer-songwriter Christine Hoberg and producers Hugo Gruzman and James Lyell. It features a melodic interpretation of a section of " Clair de Lune " by French composer Claude Debussy .
[1] [2] In its orchestral form the song was included in Fauré's incidental music Masques et bergamasques in 1919. [1] The original published version (Hamelle, Paris, 1888) is in B-flat minor. The song is dedicated to Fauré's friend the painter Emmanuel Jadin, who was a talented amateur pianist.
Ryan Lott played a version of Claude Debussy's "Clair de Lune" using tuned gong. [ 9 ] They used temporary music from film and television as an inspiration for creating the soundtrack.
The first trailer featured a rearrangement of Claude Debussy's Clair de Lune by Michael Afanasyev for Imagine Music. [21] The Beautiful TV spot and final trailer featured two different renditions of "Over the Rainbow". [22] [23] An alternate mix of Nessun dorma was featured in the extended IMAX preview. [24]
Another one of Guerreso's songs, "Save Yourself", which had her on lead vocals under the name Claire de Lune, was featured in the official trailer for the critically acclaimed movie, Mad Max: Fury Road. Guerreso's song and vocals on "Skipping Stones" created a buzz online after being featured on ABC family's Pretty Little Liars (season 6).
The settings in his Fêtes galantes cycle contained some material from the earlier versions, mostly in "Fantoches", although in that song the composer replaced the original flamboyant and virtuosic ending with a gradual diminuendo, which became a frequent feature of his style. [5] "En sourdine" and "Clair de lune" are almost completely rewritten.