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In reality, images appear of sleeves with a single slashed opening as early as the mid-15th century, although the German fashion for "many small all-over slits" may have begun here. [18] Whatever its origin, the fad for multiple slashings spread to German Landsknechts and thence to France, Italy, and England, where it was to remain a potent ...
Portrait of the family of Sir Thomas More shows English fashions around 1528.. Fashion in the period 1500–1550 in Europe is marked by very thick, big and voluminous clothing worn in an abundance of layers (one reaction to the cooling temperatures of the Little Ice Age, especially in Northern Europe and the British Isles).
The girls wear gowns of striped fabric trimmed with bands of black, with linen chemises and partlets. Infantas Isabella Clara Eugenia and Catalina Micaela of Spain wear miniature versions of adult costume, including gown with hanging sleeves and Spanish farthingales, c. 1571. Their skirts appear to have tucks to allow them to be let down as the ...
The Spanish verdugado, from which "farthingale" derives, was a hoop skirt originally stiffened with esparto grass; later designs in the temperate climate zone were stiffened with osiers (willow withies), rope, or (from about 1580) whalebone.
La Bella is a portrait of a woman by Titian in the Palazzo Pitti in Florence.The painting shows the subject with the ideal proportions for Renaissance women. [1] In parallel the stringent composition corresponds to Titian's real portraits.
The skirts were fitted around the waist and often pleated. Earlier dresses had a slit in the front that revealed the garment underneath, and later dresses had a slit on the side. Underneath the giornea, women wore a gamurra, a long dress that had a high waistline. Some had detachable sleeves. The undergarment was a plain linen dress, called a ...
Images from a 14th-century manuscript of Tacuinum Sanitatis, a treatise on healthful living, show the clothing of working people: men wear short or knee-length tunics and thick shoes, and women wear knotted kerchiefs and gowns with aprons. For hot summer work, men wear shirts and braies and women wear chemises.
La Bella Principessa (English: "The Beautiful Princess"), also known as Portrait of Bianca Sforza, Young Girl in Profile in Renaissance Dress and Portrait of a Young Fiancée, is a portrait in coloured chalks and ink, on vellum, of a young lady in fashionable costume and hairstyle of a Milanese of the 1490s. [1]
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