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The designs were initially entitled the 'Pedestal Group' before Saarinen and Knoll settled on the more organic sounding 'Tulip chair' to mirror its inspiration from nature. [3] It was designed primarily as a chair to match the complementary dining table. The chair has the smooth lines of modernism and was experimental with materials for its time.
Mid-century modern (MCM) is a movement in interior design, product design, graphic design, architecture and urban development that was present in all the world, but more popular in North America, Brazil and Europe from roughly 1945 to 1970 during the United States's post-World War II period.
Eero Saarinen (/ ˈ eɪ r oʊ ˈ s ɑːr ɪ n ə n, ˈ ɛər oʊ-/, Finnish: [ˈeːro ˈsɑːrinen]; August 20, 1910 – September 1, 1961) was a Finnish-American architect and industrial designer who created a wide array of innovative designs for buildings and monuments, including the General Motors Technical Center in Warren, Michigan; the passenger terminal at Dulles International Airport ...
Organic Abstraction is an artistic style characterized by "the use of rounded or wavy abstract forms based on what one finds in nature." [1] It takes its cues from rhythmic forms found in nature, both small scale, as in the structures of small-growth leaves and stems, and grand, as in the shapes of the universe that are revealed by astronomy and physics. [2]
Tulip and willow design for printed textiles (1873) William Morris (1834-1898), a founder of the British Arts and Crafts movement, sought to restore the prestige and methods of hand-made crafts, including textiles, in opposition to the 19th century tendency toward factory-produced textiles. With this goal in mind, he created his own workshop ...
From the mid-1950s he worked for his friend Ejvind Kold Christiansen, for whom he produced an extensive range of his furniture. His distinctive style is evident as early as 1952 in his PKO minimalist plywood series. The PK61 coffee table of '55 is a playfully irrational supporting frame visible through the glass top.
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