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(a) Chamber or full orchestra, voices ad lib (b) Violin and piano (c) Unaccompanied chorus (d) Solo piano (e) Piano, four hands with voices ad lib (f) Strings with piano, harmonium or organ (g) Violin, cello, with organ or piano 1905–38 1940 1940 1940 1940 1940 1942 unknown [7] [12] Hassan: General Dance Orchestra 1923 1923
For classical and operatic singers, their voice type determines the roles they will sing and is a primary method of categorization. In classical music, a "pure" contralto is considered the rarest type of female voice. [3] In non-classical music, singers are primarily defined by their genre and their gender, not their vocal range. [4]
for male chorus and string orchestra with brass ad libitum (or piano) English words translated from the Sanskrit by the composer Choral: 103: 1909: O England, My Country: for unison voices and orchestra (or piano) words by G. K. Menzies Choral: 104: 1909: A Song of Fairies: for female chorus a cappella: Choral: 109: 1910: Christmas Day: Choral ...
2 compositional studies; unfinished: Chamber music: 1941: Combined Carols: for 2 violins, viola and cello: also arranged for string orchestra: Rebecca Clarke Estate Chamber music ...
Estonian Lullaby for female choir or 2 female voices and string orchestra (2006) Rozhdestvenskaya kolybel'naya / Christmas Lullaby for female choir or voice and string orchestra (2006) for soprano, 4 violas and 4 violoncellos (2009) Veni creator for mixed choir or SATB soloists and organ (2006), for mixed choir and string orchestra (2009)
Mezzo-soprano: the middle female voice, between A 3 (A below middle C) and A 5 (two octaves above A 3) Contralto: the lowest female voice, F 3 (F below middle C) to E 5 (two Es above middle C). Rare contraltos possess a range similar to the tenor; Tenor: the highest male voice, B 2 (2nd B below middle C) to A 4 (A above Middle C), and possibly ...
for unison voices and piano or string orchestra: words by Mary Howitt: Choral: 158: 1922, 1924: Pan's Holiday: for female chorus and piano (1922) or string orchestra (1924) words by James Shirley: Choral: 159: 1922: Evening Primrose: for female chorus and piano: words by John Clare: Piano: 160: 1921–1924: Sonata: for piano: sketches dated ...
Vocalise No.1 for voice (1928) Symphony No.1 for orchestra (1928) Two Pieces for String Quartet (1928) Two Pieces for String Orchestra (1928) Dance Symphony for orchestra (1929) Symphonic Ode for orchestra (1929, revised in 1955) Vitebsk: Study on a Jewish Theme for violin, violoncello, and piano (1929) Shall we gather by the river (1929)