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Release prints are not to be confused with other types of prints used in the photochemical post-production process: Rush prints, or dailies, are one-light, contact-printed copies made from an unedited roll of original camera negative immediately after processing and screened to the cast and crew in order to ensure that the takes can be used in the final film.
Pre-release screenings for test audiences are often run from late answer print copies of the film, because often the filmmaker is using the screening as a way to help direct final choices regarding the finished project. When the last answer print is approved and finalized, it is used to make an internegative from which the release prints are ...
Projection gauge is the film gauge (width) used for the release print. Projection aspect ratio is the image ratio determined by the ratio of the projection dimensions multiplied by the anamorphic power of the projection lenses (1× in the case of spherical lenses). This is also known as the intended theatrical aspect ratio. [1]
The world's first film poster (to date), for 1895's L'Arroseur arrosé, by the Lumière brothers Rudolph Valentino in Blood and Sand, 1922. The first poster for a specific film, rather than a "magic lantern show", was based on an illustration by Marcellin Auzolle to promote the showing of the Lumiere Brothers film L'Arroseur arrosé at the Grand Café in Paris on December 26, 1895.
Eastman Fine Grain Release Positive 1941 1950 Black-and-white, nitrate-base. Replaced by 5302. [21] 5302/7302 Eastman Fine Grain Release Positive 1950 2015 Replaced 1302. 5381 Eastman Color Print 1950 1953 Replaced by 5382. [22] Process ECP, 45 minute wet time. [23] Not the same as 1972 film. 5382 Eastman Color Print 1952 1966
Printing release prints from the composited camera negative was common until about 1969. [citation needed] Thereafter, most printing was done from internegatives which were made from an interpositive. Prints continue to be made from the composited camera negative. Usually such a print run is limited to a few prints.
Making thousands of prints for a wide-release movie can be expensive. In contrast, at the maximum 250 megabit-per-second data rate (as defined by DCI for digital cinema), a feature-length movie can be stored on an off-the-shelf 300 GB hard drive for $50 and a broad release of 4000 'digital prints' might cost $200,000.
Release date Notes Ref. Mufasa: The Lion King: December 20, 2024 Sonic the Hedgehog 3: December 20, 2024 Kraven the Hunter: December 13, 2024 Wicked: November 22, 2024 Gladiator II: November 22, 2024 Venom: The Last Dance: October 25, 2024 Joker: Folie à Deux: October 4, 2024 Devara: Part 1: September 27, 2024 The Wild Robot: September 27 ...