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Zigeunerweisen is in one movement but can be divided into four sections, the first three in the key of C minor and the last in A minor, based on the tempi: Moderato – An imposing, virtuosic introduction with slow majestic energy by the orchestra, then a little softer by the violin itself. Lento – The violin plays in lugubrious lento 4/4.
Ungarische Zigeunerweisen (Konzert im ungarischen Stil), Hungarian Gypsy Melodies (Concerto in the Hungarian Style), is a single-movement work for piano and orchestra of about 17 minutes' duration by Sophie Menter (renowned 19th-century pianist and Franz Liszt's favourite female student).
The Carmen Fantasy, Op. 25, by Pablo de Sarasate is a fantasy on themes from Bizet's Carmen for violin and piano or orchestra, composed in 1881. [1] A version with piano accompaniment was published in 1882. [2] [3] It was dedicated to Joseph Hellmesberger. [4]
With its accompaniment the tunes are elevated above the level of simple folk music. Part of the beauty of the music is founded on the harmonies that the cimbalom and the bass add to the score. A good example is the well-known song Csak egy szép lány, also known as the slow movement in Pablo de Sarasate's Zigeunerweisen. In the sixth bar, a ...
four vocal parts and piano The Zigeunerlieder (Gypsy songs), Op. 103 and Op. 112 Nos. 3–6, are a song cycle for four singers (or choir ) and piano by Johannes Brahms (Op. 103 Nos. 1–7 and 11 exist also in an arrangement for solo voice and piano made by Brahms himself).
Schumann's 1841 Fantasia for piano and orchestra, in form similar to Weber's Konzertstück, was later rewritten and expanded with two further movements into his Piano Concerto Op. 54. [4] When the soloist is a vocalist , the piece rather belongs to the concert aria genre.