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The scene is a representation of a young woman shaded by the sycamore tree's leaves. Above her head and around her the tree branches are depicted almost embracing her, or as if she was emerging from the tree itself, almost as a dryad, or tree nymph. She is portrayed clad all in green, her silk dress is a romantic wide and loose silk robe ...
Use of the fig plant in particular came about as a Biblical reference to the Book of Genesis, in which Adam and Eve used fig leaves to cover their nudity after eating the forbidden fruit from the tree of the knowledge of good and evil. [2] [3] A "fig-leaf edition" of a work is known as an expurgation or Bowdlerization.
Nude, Green Leaves and Bust (French: Nu au Plateau de Sculpteur) is a 1932 oil on canvas painting by Pablo Picasso, featuring his mistress Marie-Thérèse Walter. The painting was in the personal collection of Los Angeles art collectors Sidney and Frances Brody for nearly six decades. It sold at auction for US$106.5 million, the third highest ...
A sense of urgency has developed in documenting today's plant life for future generations. Original botanical illustrations rendered in traditional media (with which art conservators are more familiar) can and might serve as reference research materials for endangered species and climate change.
Picture for Women is a photographic work by Canadian artist Jeff Wall.Produced in 1979, Picture for Women is a key early work in Wall's career and exemplifies a number of conceptual, material and visual concerns found in his art throughout the 1980s and 1990s.
The palmette is a motif in decorative art which, in its most characteristic expression, resembles the fan-shaped leaves of a palm tree. It has a far-reaching history, originating in ancient Egypt with a subsequent development through the art of most of Eurasia , often in forms that bear relatively little resemblance to the original.
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Autumn Leaves (1856) is a painting by John Everett Millais exhibited at the Royal Academy in 1856. It was described by the critic John Ruskin as "the first instance of a perfectly painted twilight." [ 1 ] Millais's wife Effie wrote that he had intended to create a picture that was "full of beauty and without a subject".