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The Christ as the Suffering Redeemer is a painting by the Italian Renaissance artist Andrea Mantegna, dated to c. 1488–1500 and housed in the Statens Museum for Kunst, Copenhagen, Denmark. [ citation needed ]
The painting in its current frame, hanging in the National Gallery. The Latin form of Pilate's words, "Behold the man", has given the title Ecce Homo to this picture. It is the moment when Jesus comes forth from the rude mockery of the soldiers, clad in a royal robe, and wearing the crown of thorns.
The various versions of the Man of Sorrows image all show a Christ with the wounds of the Crucifixion, including the spear-wound. Especially in Germany, Christ's eyes are usually open and look out at the viewer; in Italy the closed eyes of the Byzantine epitaphios image, originally intended to show a dead Christ, remained for longer.
The Lamentation of Christ is a topic in Christian religious art, especially popular in the High Medieval, Renaissance, and Baroque periods, which depicts the moment of mourning following the Crucifixion and lowering of Christ's body from the cross. Mantegna's variant includes some aspects commonly associated with the scene, including the ...
Christ Appointing Saint Roch as Patron Saint of Plague Victims; Christ as the Suffering Redeemer (Mantegna) Christ Asleep during the Tempest; Christ at the home of Mary and Martha; Christ at the Sea of Galilee; Christ Bearing the Soul of the Virgin; Christ Blessing (Bellini, 1500) Christ Blessing (Raphael) Christ Blessing the Children
The work is startling as the crucifixion, often seen by the Jewish people as a symbol of oppression, is instead being used to represent their suffering. [3] Many of Chagall's paintings could be described as lively, romantic, humorous, imaginative, and filled with brilliant colors, but the White Crucifixion is largely
Lamentation by Giotto, 1305. The Lamentation of Christ [1] is a very common subject in Christian art from the High Middle Ages to the Baroque. [2] After Jesus was crucified, his body was removed from the cross and his friends mourned over his body.
Raising of the Cross (German: Kreuzaufrichtung) is a 1633 painting by the Dutch Golden Age painter Rembrandt in the collection of the Alte Pinakothek.It was painted as part of a "passion" series commissioned in 1633 by Frederick Henry, Prince of Orange.