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Sonata for Viola and Piano (No.2), Op. 25 No. 4 (1922) Sonata for Viola and Piano (No.3) in F (1939) Sonata for Solo Viola No. 1, Op. 11, No. 5 (1919) Sonata for Solo Viola No. 2, Op. 25, No. 1 (1922) Sonata for Solo Viola No. 3, Op. 31, No. 4 (1923) Sonata for Solo Viola No. 4 (1937) Viola d'Amore Kleine Sonate for Viola d'amore and Piano, Op ...
The Violin Sonata No. 2 for piano and violin, in D major, Op. 11, No. 2, is the second surviving violin sonata for the two instruments by Paul Hindemith, composed in 1918. It was published as Sonate in D für Klavier und Violine.
Paul Hindemith (/ ˈ p aʊ l ˈ h ɪ n d ə m ɪ t / POWL HIN-də-mit; German: [ˌpaʊ̯l ˈhɪndəmɪt] ⓘ; 16 November 1895 – 28 December 1963) was a German and American composer, music theorist, teacher, violist and conductor.
Six of these works, Kammermusik Nos. 2–7, are not what is normally considered chamber music – music for a few players with equally important parts such as a wind quintet – but rather concertos for a soloist and chamber orchestra. [1] [2] They are concertos for piano, cello, violin, viola, viola d'amore and organ. The works, for different ...
The first Sonata for viola and piano (German: Sonate für Bratsche und Klavier), also known as Sonata in F, Op. 11, No. 4, by Paul Hindemith was composed in 1919. It is the fourth of five instrumental sonatas comprising his opus 11.
Sonata for Two Pianists 1 and 2 (1989) Pierre Boulez (1925–2016) Structures I and II (1952, 1961) Johannes Brahms (1833–1897) Sonata in F minor, Op. 34b (1863) Waltzes, Op. 39 (1865) Variations on a Theme by Haydn, Op. 56b (1873) Mia Brentano; Mia Brentano's Hidden Sea: 20 Songs for 2 Pianos (2018) Benjamin Britten (1913–1976)
Trauermusik is a suite for viola and string orchestra, written on 21 January 1936 by Paul Hindemith at very short notice in memory of King George V of the United Kingdom, who died the previous night. The title means "Mourning Music" or "Funeral Music" in English, but the work is always known by its German title.
List of pieces using polytonality and/or bitonality.. Samuel Barber. Symphony No. 2 (1944) [citation needed]; Béla Bartók. Mikrokosmos Volume 5 number 125: The opening (mm. 1-76) of "Boating", (actually bimodality) in which the right hand uses pitches of E ♭ dorian and the left hand uses those of either G mixolydian or dorian [1]