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The English reciprocal pronouns are each other and one another. Although they are written with a space, they're best thought of as single words. No consistent distinction in meaning or use can be found between them. Like the reflexive pronouns, their use is limited to contexts where an antecedent precedes it. In the case of the reciprocals ...
type of bed, where two small beds are stacked on top of each other (UK bunk (up) with implies sharing a bed, rather than merely a room) nonsense as in "History is bunk" (from bunkum) group of plain beds used as no-frills lodging (UK: dormitory, q.v.); also used as a verb ("I bunked with them in their room"; "The cabin could bunk about 18") bureau
[1]: 322 Conversely, British English favours fitted as the past tense of fit generally, whereas the preference of American English is more complex: AmE prefers fitted for the metaphorical sense of having made an object [adjective-]"fit" (i.e., suited) for a purpose; in spatial transitive contexts, AmE uses fitted for the sense of having made an ...
For licence/license or practice/practise, formal British English also keeps the noun–verb distinction graphically (although phonetically the two words in each pair are homophones with - /s/ pronunciation). On the other hand, American English uses license and practice for both nouns and verbs (with - /s/ pronunciation in both cases too).
Several pronunciation patterns contrast American and British English accents. The following lists a few common ones. Most American accents are rhotic, preserving the historical /r/ phoneme in all contexts, while most British accents of England and Wales are non-rhotic, only preserving this sound before vowels but dropping it in all other contexts; thus, farmer rhymes with llama for Brits but ...
English had also borrowed large numbers of words from French, and kept their French spellings. The spelling of Middle English is very irregular and inconsistent, with the same word being spelled in different ways, sometimes even in the same sentence. However, these were generally much better guides to the then-pronunciation than modern English ...
In linguistic typology, subject–verb–object (SVO) is a sentence structure where the subject comes first, the verb second, and the object third. Languages may be classified according to the dominant sequence of these elements in unmarked sentences (i.e., sentences in which an unusual word order is not used for emphasis).
The English-language titles of compositions (books and other print works, songs and other audio works, films and other visual media works, paintings and other artworks, etc.) are given in title case, in which every word is given an initial capital except for certain less important words (as detailed at Wikipedia:Manual of Style/Capital letters ...