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Jona Weinhofen (born 1 January 1983) is an Australian musician. He was the lead guitarist for metalcore band I Killed the Prom Queen, and was the rhythm guitarist for British band Bring Me the Horizon, from 2009 to 2013 and the guitarist for Californian band Bleeding Through from 2007 to 2009.
In May 2008, Bring Me the Horizon was the main supporting band on I Killed the Prom Queen's farewell Australian tour with The Ghost Inside and The Red Shore. [25] Suicide Season was released on 18 September 2008 in the United States on Epitaph and on 29 September in Europe through Visible Noise. In 2009, Bring Me the Horizon attended the 2009 ...
In early 2000, while still in school, he began crafting compilation CDs and short tracks under the name Quakebeat. [5] He also played in the mock hip-hop band "Womb 2 Da Tomb" with his brother Tom Sykes and fellow Bring Me the Horizon member Matt Nicholls, [6] and in metal band "Purple Curto" with Neil Whiteley, as the drummer/vocalist under the pseudonym "Olisaurus", which he would later use ...
Oh, bring back my Bonnie to me. [Chorus] Bring back, bring back, Oh, bring back my Bonnie to me, to me. Bring back, bring back, Oh, bring back my Bonnie to me. Oh, blow ye winds over the ocean, Oh, blow ye winds over the sea, Oh, blow ye winds over the ocean, And bring back my Bonnie to me. [Repeat Chorus] Last night as I lay on my pillow,
There Is a Hell Believe Me I've Seen It. There Is a Heaven Let's Keep It a Secret. 2010 [11] "Fuck" (featuring Josh Franceschi of You Me at Six) Sykes Malia Kean Nicholls Weinhofen There Is a Hell Believe Me I've Seen It. There Is a Heaven Let's Keep It a Secret. 2010 [11] "Go to Hell, for Heaven's Sake" Sykes Fish Malia Sempiternal: 2013 [12 ...
The first Take Our Daughters to Work Day took place in April 1993. Nearly 30 years later, the creators of the movement reflect on the history behind the day.
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Instead, the poem draws on an older story, repeated in Milton's History of Britain, that Joseph of Arimathea, alone, travelled to preach to the ancient Britons after the death of Jesus. [4] The poem's theme is linked to the Book of Revelation (3:12 and 21:2) describing a Second Coming, wherein Jesus establishes a New Jerusalem.