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Giovanni Battista Gaulli (8 May 1639 – 2 April 1709), also known as Baciccio or Baciccia (Genoese nicknames for Giovanni Battista), was an Italian Baroque painter working in the High Baroque and early Rococo periods. He is best known for his grand illusionistic vault frescos in the Church of the Gesù in Rome.
The Art of This Century gallery was opened by Peggy Guggenheim at 30 West 57th Street in Manhattan, New York City on October 20, 1942. The gallery occupied two commercial spaces on the seventh floor of a building that was part of the midtown arts district including the Museum of Modern Art, the Museum of Non-Objective Painting, Helena Rubinstein's New Art Center, and numerous commercial galleries.
The ceiling of the apse is adorned by the painting Glory of the Mystical Lamb by Baciccia (Giovanni Battista Gaulli). [10] The most striking feature of the interior decoration is the ceiling fresco, the grandiose Triumph of the Name of Jesus (1678-1679) [11] by Giovanni Battista Gaulli. Gaulli also frescoed the cupola, including lantern and ...
In his writings and art criticisms during the mid-1960s art critic and artist Donald Judd claimed that illusionism in painting undermined the artform itself. Judd implied that painting was dead, claiming painting was a lie because it depicted the illusion of three-dimensionality on a flat surface.
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It was founded in 1871. Originally called the New York Sketch Class, [4] and later the New York Sketch Club, [5] the Salmagundi Club had its beginnings at the eastern edge of Greenwich Village in sculptor Jonathan Scott Hartley's Broadway studio, where a group of artists, students, and friends at the National Academy of Design, which at the time was located at Fourth Avenue and Twenty-third ...
The 10th Street galleries was a collective term for the co-operative galleries that operated mainly in the East Village on the east side of Manhattan, in New York City in the 1950s and 1960s. The galleries were artist run and generally operated on very low budgets, often without any staff. Some artists became members of more than one gallery.
The collection of the Neue Galerie is divided into two sections. The second floor of the museum houses works of fine art and decorative art from early twentieth-century Austria, including paintings by Gustav Klimt, Oskar Kokoschka, and Egon Schiele and decorative objects by the artisans of the Wiener Werkstaette and their contemporaries.