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Jubilee is the third studio album by American indie pop band Japanese Breakfast, released on June 4, 2021 through Dead Oceans.Released shortly after the publication of her memoir Crying in H Mart, frontwoman Michelle Zauner said, "After spending the last five years writing about grief," she wanted Japanese Breakfast's third album "to be about joy".
The discography of British art pop/new wave band Japan, including their reformation as Rain Tree Crow, consists of six studio albums, seventeen compilation albums, one live album, and four video releases.
Song Artist(s) Writer(s) Originating album Language Year "9095" Tohoshinki Kim Jae-joong: The Secret Code: Japanese 2009 "9096" Tohoshinki Kim Jae-joong: The Secret Code: Japanese 2009 "A Whole New World" Tohoshinki Alan Menken: Five in the Black: English 2007 "Ai o Motto" (愛をもっと) Tohoshinki Katsuhiko Yamamoto Tree: Japanese 2014
List of political party songs; List of popular music songs featuring Andalusian cadences; List of Runrig's Gaelic songs; List of silent musical compositions; List of songs which have spent the most weeks on the UK Singles Chart; List of songs banned by the BBC; List of songs containing the I-V-vi-IV progression; List of Negima songs
In 2017, their eighth album, Ambitions, debuted at number 106 on the US Billboard 200. [7] It became One Ok Rock's first studio album to debut at the Billboard 200. It also charted at number 2 on the Billboard Top Hard Rock Albums, [8] peaked at #9 on the Billboard Top Alternative Albums [9] and reached number 12 on the Billboard Top Rock ...
The Rough Guide to the Music of Japan is a world music compilation album originally released in 1999. Part of the World Music Network Rough Guides series, [ 1 ] the album presents an eclectic mix of the music of Japan ranging from traditional Japanese music (including Ryukyuan and Ainu music ) to J-pop by artists of the 1990s.
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Art of Life is the fourth studio album by Japanese heavy metal band X Japan, released on August 25, 1993, by Atlantic Records.The album consists solely of the 29-minute-long orchestrated title track, which was written and composed by Yoshiki entirely in English and recorded with the Royal Philharmonic Orchestra.