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[citation needed] Thus the Neupert firm still offers its mid-century "Bach" model for sale, defending it explicitly on the grounds of its suitability for 20th-century music. [3] The transition of harpsichord building toward historicist principles is covered in detail by Hubbard (1965), Zuckermann (1969), and Kottick (2003), cited below.
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Pleyel et Cie. ("Pleyel and Company") is a French piano manufacturing firm founded by the composer Ignace Pleyel in 1807. [2] In 1815, Pleyel's son Camille joined him as a business partner. The firm provided pianos to Frédéric Chopin , [ 3 ] who considered Pleyel pianos to be "non plus ultra". [ 4 ]
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Harpsichord building was often considered a lesser side job for organ builders, while some few were specialized in either harpsichord or clavichord building. [ 1 ] Note that in the German speaking world the harpsichord was only one of several instruments referred to as clavier, and keyboard instruments seem to have been used more ...
John Challis (1907–1974) was an American builder of harpsichords and clavichords, at one time the only such maker of harpsichords in the United States. His father Charles was a jeweler and watchmaker who moved his family from South Lyon, Michigan to Ypsilanti, Michigan in 1919.
David Jacques Way on harpsichord building and related matters — at the Zuckermann Harpsichords International website [2] Plain Talk About Funny Harpsichords — 1982 essay by David Jacques Way [3] Archived 2007-06-14 at the Wayback Machine Homage to David Way by Marc Ducornet
The Gräbner family were German harpsichord-, clavichord-, organ- and eventually piano makers from the 17th century to the beginning of the 19th century. [1] They are best known for their harpsichords, which represent a mid-german style of building, distinct from the better known northern style as represented by Hass, Mietke and Zell.