Search results
Results from the WOW.Com Content Network
Selection of Renaissance instruments. Many instruments originated during the Renaissance; others were variations of, or improvements upon, instruments that had existed previously. Some have survived to the present day; others have disappeared, only to be recreated in order to perform music of the period on authentic instruments.
The clavichord is an example of a period instrument. In the historically informed performance movement, musicians perform classical music using restored or replicated versions of the instruments for which it was originally written. Often performances by such musicians are said to be "on authentic instruments".
The recorder was one of the most important wind instruments of the Renaissance, and many instruments dating to the sixteenth century survive, including some matched consorts. [ 20 ] [ 21 ] This period also produced the first extant books describing the recorder, including the treatises of Virdung (1511), Agricola (1529), Ganassi (1535), Cardano ...
The recorder family, one of the many consorts of instruments available to Renaissance composers. One key distinction between Renaissance and Baroque instrumental music is in instrumentation; that is, the ways in which instruments are used or not used in a particular work. Closely tied to this concept is the idea of idiomatic writing, for if ...
Pages in category "Renaissance instruments" The following 8 pages are in this category, out of 8 total. ... Recorder (musical instrument) V. Viol; Viola da braccio
It achieved its peak of popularity during the medieval and Renaissance periods, after which it was gradually eclipsed by the oboe family of descendant instruments in classical music. It is likely to have come to Western Europe from the Eastern Mediterranean around the time of the Crusades. [1]
The cittern is one of the few metal-strung instruments known from the Renaissance period. It generally has four courses of strings (single, pairs or threes depending on design or regional variation), one or more courses being usually tuned in octaves, though instruments with more or fewer courses were made.
Music books allowed non-professional musicians to learn instruments and play together. Such books included music theory, how to read sheet music, and instructions for how to reach notes on instruments. Professional musicians performed in public spaces and as part of official pomp before the country's residents.