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These included run-on lines, irregular pauses and stops, and extreme variations in sentence structure and length. [213] In Macbeth, for example, the language darts from one unrelated metaphor or simile to another: "was the hope drunk/ Wherein you dressed yourself?" (1.7.35–38); "... pity, like a naked new-born babe/ Striding the blast, or ...
In the last phase of his career, Shakespeare adopted many techniques to achieve these effects. These included enjambments, irregular pauses and stops, and extreme variations in sentence structure and length. [11] In Macbeth, for example, the language darts from one unrelated metaphor or simile to another in one of Lady Macbeth's well-known ...
Obviously when you're writing a plot summary, you probably won't go into as much careful detail in thinking about every decision—for the most part, some aspects, such as picking what is important and what's not is intuitive, and doesn't require a lot of analysis. However, this example gives a sense of the logic that underlies a good summary.
Diana indeed wore a lavender purple suit in the 1990s, a look recreated for the fifth season of "The Crown."
Sometimes clothes speak louder than words — just ask Emily Ratajkowski. When the model turned up at the 2024 WSJ. Magazine Innovator Awards at the Museum of Modern Art in New York City on ...
An adverb is a word or an expression that generally modifies a verb, an adjective, another adverb, a determiner, a clause, a preposition, or a sentence.Adverbs typically express manner, place, time, frequency, degree, or level of certainty by answering questions such as how, in what way, when, where, to what extent.
A tree shows the words, phrases, and clauses that make up a sentence. Any word combination that corresponds to a complete subtree can be seen as a phrase. There are two competing principles for constructing trees; they produce 'constituency' and 'dependency' trees and both are illustrated here using an example sentence.
A paraprosdokian (/ p ær ə p r ɒ s ˈ d oʊ k i ə n /), or par'hyponoian, is a figure of speech in which the latter part of a sentence, phrase, or larger discourse is surprising or unexpected in a way that causes the reader or listener to reframe or reinterpret the first part.