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Thou shalt not make unto thee any graven image, or any likeness of any thing that is in heaven above, or that is in the earth beneath, or that is in the water under earth: Thou shalt not bow down thyself to them, nor serve them: for I the L ORD thy God am a jealous God, visiting the iniquity of the fathers upon the children unto the third and fourth generation of them that hate me; And shewing ...
In this engraving-painting pair showing 16 reformers and 6 theologians, the men sitting around the table are identified as A John Wycliffe, B Jan Hus, C Jerome of Prague, D Ulrich Zwingli, E Martin Luther, F John Oecolampadius, G Martin Bucer, H John Calvin, I Philip Melanchthon, K Peter Martyr Vermigli, L John Knox, M Matthias Flacius, N Heinrich Bullinger, O Hieronymus Zanchi, P Theodore ...
God the Father turning the press and the Lamb of God at the chalice. Prayer book of 1515–1520. The image was first used c. 1108 as a typological prefiguration of the crucifixion of Jesus and appears as a paired subordinate image for a Crucifixion, in a painted ceiling in the "small monastery" ("Klein-Comburg", as opposed to the main one) at Comburg.
On 18 January 2010, ABC News reported Trijicon was placing references to verses in the Bible in the serial numbers of sights sold to the United States Armed Forces. [1] The "book chapter:verse" cites were appended to the model designation, and the majority of the cited verses are associated with light in darkness, referencing Trijicon's specialization in illuminated optics and night sights.
An engraving was published in 1579 by Paul Perret, who apparently lent the painting for the purpose since there are regular pricks along the edges to make a grid. There are a number of other copies, some attributed to the artist's sons, perhaps made after the engraving, and the painting was lent to Cardinal Federico Borromeo for copying ...
The term Poor Man's Bible has come into use in the modern era to describe works of art within churches and cathedrals which either individually or collectively have been created to illustrate the teachings of the Bible for a largely illiterate population. These artworks may take the form of carvings, paintings, mosaics or stained-glass windows.
Blake's next illustration was the tempera painting Job and his Daughters (1800), commissioned by Thomas Butts (see gallery below). [6] This has similarities to plate 20 of the engraved illustrations, but it is unclear whether the print was directly based upon it.
According to the Asmodeus legend from the Talmud (Tractate Gittin 68a-b), the location of the Shamir was told to King Solomon by Asmodeus, whom Solomon captured. Asmodeus was captured by Benaiah ben Jehoiada, [4] who captured the demon king by pouring wine into Asmodeus' well, making him drunk, and wrapping him in chains that were engraved with a sacred name of God.
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