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Art photography print types refers to the process and paper of how the photograph is printed and developed. C-Print / Chromogenic Print : A C-Print is the traditional way of printing using negatives or slides, an enlarger, and photographic paper—through a process of exposure and emulsive chemical layers.
Screen printing is a printing technique where a mesh is used to transfer ink (or dye) onto a substrate, except in areas made impermeable to the ink by a blocking stencil.A blade or squeegee is moved across the screen in a "flood stroke" to fill the open mesh apertures with ink, and a reverse stroke then causes the screen to touch the substrate momentarily along a line of contact.
Photographic emulsion is a light-sensitive colloid used in film-based photography. Most commonly, in silver-gelatin photography , it consists of silver halide crystals dispersed in gelatin . The emulsion is usually coated onto a substrate of glass , films (of cellulose nitrate , cellulose acetate or polyester ), paper, or fabric.
In some old processes, the film emulsion was hardened during the process, typically before the bleach. Such a hardening bath often used aldehydes, such as formaldehyde and glutaraldehyde. In modern processing, these hardening steps are unnecessary because the film emulsion is sufficiently hardened to withstand the processing chemicals.
Contact print of a photo film cut in pieces, used for reviewing and selecting images for the final print. Photo by Paolo Monti, 1975. Contact printing is a simple and inexpensive process. Its simplicity avails itself to those who may want to try darkroom processing without buying an enlarger.
Advertisement for Ansco Cyko photographic paper, 1922. Photographic paper is a paper coated with a light-sensitive chemical, used for making photographic prints.When photographic paper is exposed to light, it captures a latent image that is then developed to form a visible image; with most papers the image density from exposure can be sufficient to not require further development, aside from ...
Gelatin silver print paper was made as early as 1874 on a commercial basis, but it was poor quality because the dry-plate emulsion was coated onto the paper only as an afterthought. Coating machines for the production of continuous rolls of sensitized paper were in use by the mid-1880s, though widespread adoption of gelatin silver print ...
It is crucial that offset ink resist water-in-ink emulsification (i.e., repel rather than absorb water). It also should withstand degradation by the fountain solution that covers the non-printing areas of the engraved plate. Offset ink needs to be very rich in pigment so that its full color vibrancy is perceptible, even in minute quantity. [2] [3]
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