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The three Biblical gospels that mention the crown of thorns do not say what happened to it after the crucifixion. The oldest known mention of the crown already being venerated as a relic was made by Paulinus of Nola, writing after 409, [8] who refers to the crown as a relic that was adored by the faithful (Epistle Macarius in Migne, Patrologia Latina, LXI, 407).
Articles relating to the crown of thorns and its depictions. It was the crown placed on the head of Jesus during the events leading up to his crucifixion.It was one of the instruments of the Passion, employed by Jesus' captors both to cause him pain and to mock his claim of authority.
The Crowning with Thorns refers to the Crown of Thorns being placed on the head of Jesus, and is a common subject in art, examples including: The Crowning with Thorns (Titian, Paris) painted in 1542/1543 by Titian; The Crowning with Thorns (Titian, Munich) painted in 1576 by Titian
The first feast in honour of the Crown of Thorns (Festum susceptionis coronae Domini) was instituted at Paris in 1239, when Louis IX of France brought there the relic of the Crown of Thorns, which was deposited later in the Royal Chapel, erected in 1241–48 to guard this and other relics of the Passion. The feast, observed on 11 August, though ...
Ecce Homo, Caravaggio, 1605. Ecce homo (/ ˈ ɛ k s i ˈ h oʊ m oʊ /, Ecclesiastical Latin: [ˈettʃe ˈomo], Classical Latin: [ˈɛkkɛ ˈhɔmoː]; "behold the man") are the Latin words used by Pontius Pilate in the Vulgate translation of the Gospel of John, when he presents a scourged Jesus, bound and crowned with thorns, to a hostile crowd shortly before his crucifixion (John 19:5).
In The Crowning with Thorns, painted for the church of Santa Maria delle Grazie in Milan, the space is compressed in the scene by arranging the figures on a shallow plane delimited by the wall of a building. There are explicit references to antiquity: the figure of Christ derives from the celebrated Laocoon, an antique statue discovered in Rome ...
The Last Judgement was an especially appropriate subject for setting a relic from the Crown of Thorns. Some thought that the crown was held by the French kings on loan, and would be reclaimed by Christ on the Day of Judgement—a belief expressed in the antiphon sung at Sens Cathedral in 1239 to celebrate the arrival of the main relic. [25]
It portrays Christ supported by several people, with Mary Magdalene kissing his feet, as a symbol of human repentance. A figure on the right, with a red hat, is showing the cross's nails and the crown of thorns, symbols of passion and sacrifice. Mary, wearing a dark dress, is shown in the traditional gesture of keeping hands joined.