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The painting was displayed at the Palace of Fontainebleau during the regime of Eugénie's husband, Napoleon III. [2] After Eugénie's exile to England, the painting was given to her, and later displayed in the entrance to her house at Farnborough Hill. It is currently on display at the Château de Compiègne. [3]
Napoleon Crossing the Alps; Napoleon I as Emperor; Napoleon I at Fontainebleau on March 31, 1814; Napoleon I on His Imperial Throne; Napoleon in Imperial Costume; Napoleon in the Wilderness; Napoleon Leading the Army over the Alps; Napoleon on the Battlefield of Eylau; Napoleon on the Bellerophon; Napoleon Receiving the Queen of Prussia at Tilsit
The Wedding of Napoleon and Marie Louise (French: Mariage de Napoléon Ier et de Marie-Louise) is an 1810 history painting by the French artist Georges Rouget. It depicts the wedding ceremony between Napoleon , Emperor of France and Marie Louise the daughter of the Asturian Emperor Francis I .
The sisters of Napoleon. In the replica, the dress of Napoleon's favorite sister is pink. This is the only change in the replica, despite it having been painted from memory. Charles-Francois Lebrun (1739–1824), the third consul alongside Napoleon and Cambacérès. Under the First Empire, he took the place of prince-architrésorier.
[1] Two of the three lists that David made of his works mention the NGA painting: "List B," compiled about 1815, describes it as "Le portrait en pied de l'Empereur représenté dans son Cabinet. Tableau pour l'Angleterre" (Schnapper, Antoine, et al., Jacques Louis David 1748 1825 , exh. cat., Louvre and Versailles, Paris, 1989: 20); "List C ...
Not coincidentally the work was made in the same year that the Retour des cendres (return of the ashes), or the return of Napoleon's mortal remains from the island of Saint Helena took place. The original of the painting is held at the Museum der bildenden Künste , in Leipzig , while there are copies at the Army Museum , in Paris , [ 1 ] [ 2 ...
The Emperor Napoleon in His Study at the Tuileries (1812), exhibiting the hand-in-waistcoat gesture. The hand-in-waistcoat (also referred to as hand-inside-vest, hand-in-jacket, hand-held-in, or hidden hand) is a gesture commonly found in portraiture during the 18th and 19th centuries. The pose appeared by the 1750s to indicate leadership in a ...
It shows French Emperor Napoleon I in uniform in his study at the Tuileries Palace. Despite the detail, it is unlikely that Napoleon posed for the portrait. [1] It was a private commission from the Scottish nobleman and admirer of Napoleon, Alexander Hamilton, 10th Duke of Hamilton in 1811 and completed in 1812.
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